
Louis XIV
The post that preceded this one read the Spanish Baroque — dark walnut, hand-wrought iron, tooled leather, a severity …

The post that preceded this one read the Spanish Baroque — dark walnut, hand-wrought iron, tooled leather, a severity …

The twelfth post in this arc treated Karabagh, and it spent most of its account holding two things together: a …

The post before this one read the Italian Renaissance, and named the Spanish tradition as a sibling it had not yet …

The third post in this arc treated the Kazak, and it opened the Caucasian tradition by setting the bold geometric …

The sixth post in this arc treated the Italian Baroque, and named the Italian Renaissance as the antecedent it had grown …

The fifth post in this arc treated Kashan, and it opened the central Persian court register by setting the urban …

The ninth post in this arc treated Thomas Sheraton, and closed by promising one of two continuations: the heavier …

The ninth post in this arc treated the Hereke — a rug made not by a place but by an institution, a state manufactory …

The eighth post in this arc treated George Hepplewhite, and closed by promising one of two continuations: a return to …

The eight prior posts in this arc divided cleanly among three weaving worlds. The Persian — Heriz, Tabriz, Bakshaish, …

The seven prior posts in this arc — Louis XV, Louis XVI, Biedermeier, English Chippendale, Gustavian, Italian Baroque, …

The seven prior posts in this arc — Heriz, Tabriz, Caucasian Kazak, Bakshaish, Kashan, Bidjar, and most recently Hamadan …

The six prior posts in this arc — Louis XV, Louis XVI, Biedermeier, English Chippendale, Gustavian, and Italian Baroque …

The six prior posts in this arc — Heriz, Tabriz, Caucasian Kazak, Bakshaish, Kashan, and most recently Bidjar — treated, …

The five prior posts in this arc — Louis XV, Louis XVI, Biedermeier, English Chippendale, and Gustavian — have together …

The five prior posts in this arc — Heriz, Tabriz, Caucasian Kazak, Bakshaish, and most recently Kashan — laid out the …

The four prior posts in this arc — Louis XV, Louis XVI, Biedermeier, and English Chippendale — have together described …

The four prior posts in this arc — Heriz, Tabriz, Caucasian Kazak, and most recently Bakshaish — built the body of …

The three prior posts in this arc — Louis XV, Louis XVI, and Biedermeier — described one diagonal across the eighteenth- …

The first three rug posts in this arc — Heriz, Tabriz, and Caucasian Kazak — established the two axes along which the …

The two prior posts in this arc — Louis XV and Louis XVI — described the principal axis of eighteenth-century French …

The first two rug posts in this arc — Heriz and Tabriz — described the principal axis of Persian weaving: workshop …

The cabriole leg disappears. The bombé case straightens into a rectangle with canted corners. The floral marquetry …

If the Heriz post that opened this arc described the village-workshop tradition of the Iranian Azerbaijani highlands — …

The piece of furniture most often understood as “antique French” in the Anglophone domestic interior — the …

The rug at the centre of every American living room of any pretension between roughly 1890 and 1940 was, very probably, …

There is in the connoisseur’s habit of mind a quiet expectation that any object of sufficient age, well-made, will …